Tumi & Me
LOGLINE:
After a brain tumor diagnosis derails her fast paced life, a first generation Taiwanese American filmmaker is pulled back into the orbit of her estranged family.
After a brain tumor diagnosis derails her fast paced life, a first generation Taiwanese American filmmaker is pulled back into the orbit of her estranged family.
At 41, Christine has built her life around work. A fiercely independent filmmaker who has spent years chasing deadlines and creative opportunities, she has little time for rest and even less time for her estranged family. When she begins experiencing strange episodes that temporarily freeze the left side of her body, she dismisses them as stress or dehydration. But after the incidents become more frequent, culminating in a public episode at a red carpet event, she reluctantly seeks medical help.
An MRI reveals a shocking diagnosis: a brain tumor requiring immediate surgery.
As Christine navigates a whirlwind of doctor visits, uncertainty, and a life-altering operation, she finds an unexpected companion in "Tumi," the personified voice of her tumor. Through darkly comedic conversations with the unwelcome passenger living inside her head, Christine confronts her fears, questions her relentless pursuit of productivity, and begins examining the relationships she has neglected along the way.
The diagnosis becomes a catalyst that reunites her fractured family. Her parents and brother rush to Los Angeles to help care for her, forcing everyone into close quarters after years of emotional distance and unresolved tensions. What begins as an uncomfortable obligation gradually evolves into an opportunity for healing and rediscovery.
Meanwhile, Christine's chosen family, an eclectic community of friends from the film industry, rallies around her with humor and unwavering support. Together they sneak her away for beach trips, ice cream runs, and small acts of rebellion that remind her life is meant to be lived, not merely worked through.
Blending documentary footage with narrative storytelling, Tumi & Me is a heartfelt and humorous exploration of illness, identity, womanhood, and family. At its core, it is a story about a woman whose life is forced to slow down, only to discover that the relationships she spent years putting on hold were the very things that made life meaningful in the first place.
Coming into this whole process, I thought the physical medical aspect would be the most stressful part. Ironically, it’s actually been dealing with the insurance and healthcare system that has caused me the most stress. Not everyone is as lucky as I am to have friends willing to drop everything and help.
Monday, I officially move into Phase 2 of my treatment: radiation.
Physically, I feel great. Emotionally, I am incredibly grateful that I had the opportunity to take two trips to see family and friends before stepping into this next phase. I feel rejuvenated and in great spirits.
So, the last few weeks have been a combination of two extremes: incredible frustration with the slowness and inefficiency of the healthcare system specifically Kaiser Permanente, and moments of feeling deeply inspired to take matters into my own hands.
I've never been someone who sits around waiting. That doesn't mean I don't feel everything emotionally. I absolutely do. I let myself experience it first. Then I ask myself, "What's the game plan? What can I actually control?"
The biggest lesson I've learned through all of this is that while I can't always rely on the system, or even other people, I can always rely on myself. Sometimes, to quote Zorg from The Fifth Element “If you want something done, just do it yourself.”
The waiting game is excruciating.
For the last several weeks, I’ve felt like I was a contestant on some bizarre game show, waiting for strangers to decide my fate. Is it Grade 2 or Grade 3? A simple number, but one that carries enormous implications.
The staples are out. I can wash my hair again.
It’s funny how the simplest joys can feel like the biggest victories.
The wild part? Even though it felt like a month had passed, this surgery was only two weeks ago. Two weeks. And yet, what an emotional whirlwind these past 14 days have been—not just for me, but for the incredible community around me.
Like any major life event, there’s always a transition period where everyone is trying to find homeostasis again. I’ve definitely been feeling that over the last few days.
Despite the actual physical discomforts of surgery, the hardest part about this whole recovery process has actually been relearning how to re- pace myself. I usually move at the speed of light. I’m always in constant need of mental and physical stimulation. My brain and body are so bored. I’ve been trying to keep myself stimulated through writing. Writing these blogs helps me process and feel some semblance of connection to everything ad everyone around me.
Currently, my biggest fear is being left behind while I rest. I have worked way too hard to get to where I left off last. To think I’m now being set back again after finally crawling out of the hell hole of getting situated in LA after moving from my beloved Austin, is daunting. I had such an awful experience my first 2 years getting situated in LA and it’s only within the last year and a half that I’ve finally felt more settled and I really don’t want to lose all that.
I’m on at least 7 different meds, which is really wild from someone who avoids meds and am usually on vitamins at best. Though the pain is luckily minimal, mentally I feel puffy, swollen, and not like a rockstar. My feed of Britney Spears videos is not helping much. I feel like I’m nowhere 1 close to that yet… but again, hearing from people every day has been so helpful for the soul. I’m consistently surprised by everyone checking in. I really appreciate it so much - not feeling alone.
Leading up to surgery, though scary, was also super bittersweet. What made it bearable was the positive support from my friend and family,I highly recommend a full on surgery party (catered by Matt Syrett and the Wade family). Thank you to my bro for being the best mediator, for helping me reconcile with my parents, and for bringing my two very important worlds together so that my family can understand the life I have been building. That is is full of love and joy and that I have been working really hard to build my career, even if it may not feel that way most of the time, given the economic strain and that is LA and the industry. Getting to slam a pinata (Thank you Autum and Elizabeth) with a stick and say fuck Tumi (the name of tumor) was so satisfying. ANd then having a group of your friends take a photo and flick off Tumi as a unit was so nice. No gloom, only joy was the reminder I needed going into the surgery. I especially loved that my co-creator and best friends Mai, and Elizabeth were able to finish shooting Season 1 of our mini series “Friends in FIlm.” THat as so satisfying. I cannot wait to have that released to show everyone what we have been doing. Being able to chat for almot 4 hours with my Erzulie co-producer, Payten Brewer was also amazing, understanding what she had to go through in her own cancer recovery journey from Lymphoma.
Christine W Chen - Writer/Director/Producer
Christine Chen, an Academy qualified director and co-author of "Get Reelisms," discovered her passion for storytelling through film in 1993 when she first experimented with an early VHS camcorder. This initial fascination evolved into a lifelong dedication to writing and directing. Christine's short films have gained prominence at prestigious festivals like Hollyshorts, New Orleans Film Festival, and Fantasia Film Festival. Her recent feminist adventure thriller feature, "Erzulie," enjoyed a limited theatrical release in May 2022 and is available on VOD since June 14, 2022. In addition to directing, Christine works as a producer and 1st AD.
Mailyne Briggs - Producer
Mailyne K. Briggs (she/her), is a Philippines-born, Canadian-raised filmmaker with over 12+ years of diverse media experience under her media production company Kilam Media Inc. Adept at handling roles in producing, directing, writing, and cinematography, Mailyne's work encompasses multicam remote productions, commercials, music videos, documentaries, and narratives. Her work has been featured on CBC, Fashion One, and various film festivals across North America and across the web. Mailyne is also a mother, and advocates for the environment, mental health and diverse industry representation.